The house has gone down and the lamps are out
A new multi-media installation for the Burchfield Penney Art Center opening July 14th, 2017
On display July 14–September 24, 2017

The title of the installation is a variation on the opening lines of James Agee’s Let Us Now Praise Famous Men, a collaboration with photographer Walker Evans, which stylistically mediated on dirt poor southern tenet farmers during the Great Depression. His fearful, outsider narration opens with: “The house had now descended…. All over Alabama the lamps are out.”

Featuring a four-channel video installation surrounding the viewer, the piece was created by light-painting an abandoned plantation house deep in the woods of North Carolina to capture hundreds of still images that were used to build animated sequences. Reflecting the spherical structure of the narrative in Let Us Now Praise Famous Men, the piece uses the themes of the book and the motivations of its authors as a starting point and illustrates an environment of fear and distrust from the 1930s to our present.
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Recent Projects

White House security, 2000 - 2017

Sorry Closed
Brothels of the Inland Empire

The Imperial, I, II, and III
The Imperial Screens in the desert.

A collection of text alert tones made from recordings of the broken floor of the Albright-Knox Art Gallery.


Fear and loathing upstate.


Trans Empire Canal Corporation [TECCORP] and the Burchfield Penney Art Center are embarking on a multi-year project “Cultural Commodities: As Exhibition In Four Phases.” The project commences with “Phase I: Displacement Prototyping Barge”, an exhibition opening at the Burchfield Penney Art Center. Created specifically for the exhibition, Waterline was be one of the featured works.

Hallwalls Artist's and Models: True Defective

For Hallwalls 25th Artists & Models, a recurring art party and event established in the early 1980s by former Hallwalls' Performance Art Curator Tony Billoni, I built an oversized and oddly functional Hallwalls-themed pinball machine.